Natalie Louise Tombasco
Winner of the 2023 Michael Waters Poetry Prize
Set in a kingdom populated with Shitshow Barbie, the Queens of Mean and Sourpuss, and a Lolita Army, Milk for Gall is a postmodern feminist epic that challenges patriarchal contradictions. The collection creates a protean landscape that opens with a primordial sigh and descends realm after realm, self after self, questioning passed-down constructions of womanhood while cultivating a nomenclature all its own: nimble, lush, rhythmic verse that liberates itself from the male gaze.
“These poems dazzle, subvert, delight, and bite; their deeply intelligent performances make undeniable the absurdity and weight of prescribed (and preyed-upon) femininities. Lush and percussive, Natalie Louise Tombasco’s Milk for Gall made me fall in love with the textures and chimes of words all over again. Here is a book that feels both hyper-contemporary and for the ages. An absolutely glorious debut.”
–Gabrielle Bates
“This book is sexy, dangerous, electric. In Milk for Gall, Natalie Louise Tombasco flirts with us, smirking at the male gaze and teasing ‘the linguistic G-spot’ through an urgent and playful voice that feels both singular and multifold. This is a poet who knows how to dig into our misogynistic cultural detritus and work it into a subversive bed of ‘bubblegum & Ouija,’ cultivating sharp, musical outbursts in poems that demand to be heard. Tombasco’s speakers are girls gone feral who grow up and grow smart, reveling in the pleasures of image and language. Here you will meet a lineage of Lolitas, queens, Berthas, and mermaids mingling with the ghosts of Plath, Bishop, O’Hara, and Ginsberg. They will greet you with a dazzling show.”
–Rochelle Hurt
“Natalie Louise Tombasco’s wonderful-strange collection of poems, Milk for Gall, is all appetite. The Surreal, the Sublime, the Occult, the Erotic all merge here, miraculous and malevolent in their intent to upend the obvious. This book recalls, deliciously, Judy Chicago’s classic exhibit The Dinner Party in that we are offered a seat at the table of a myriad of female perspectives. Tombasco’s linguistic aplomb, sonic chops, and devastating takes on postmodern feminism make this astonishing debut a turbocharged reading experience.””
–Cate Marvin